From the monthly archives:

January 2008

Music Heroes

by Matt on January 20, 2008

The other night I met up with Dave Livesey to catch up and talk over some music ideas since we were both in Liverpool. Dave is currently writing music for the the Liverpool Phil. and their concert series which is featuring at Christmas.

Later on in the night James Newton came around after his last class at LIPA and then the work really started.

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As you can see we had a productive evening that soon descended into playing Guitar Hero on the X box. The only reason I’ve really put this into my blog is because it was such a laugh and the evening was meant to be so productive. It’s great seeing how fast musicians pick up this game and also it’s a good incite into what young pro’s get up to when they’re not playing or composing… we play :)

We also discussed that taking a four year course on the art of playing Guitar Hero is actually more valid and useful  than taking a degree on the recorder or as a singer.

This is a game that I recommend to all musicians!!

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What Are Chops?

by Matt on January 19, 2008

After yesterdays post written for brass players I thought I better write a post explaining what chops are to other musicians and non-musicians.

Unlike the rest, brass instruments start with muscles not a reed, skin or string. The difference is that it’s the player themeselves that form the vibrations which fuel the instrument.

Now chops mean different things to different people. Some see it as a technical ability, to play music physically and to negotiate chord changes. - This is how guitar player can “have chops”.

However for brass players we usually put more of an emphasis on the physical side of this. For example if we say; “He’s got chops of steal!”, this would mean the player has incredible strength and it appears that the muscles he uses to play aren’t natural like the rest of ours because it seems like they are exerting no signs of fatigue.

That’s one interpretation.

So when a brass player says my chops are knackered, that’s because we can’t get a new reed, fresh string or skin because it’s tired and battered, we just have to wait until our bodies heal/ refresh and are ready to play again.

The double-edged sword is that we build up and have more of a physical bearing and attachment to our the instrument which breads a huge variety of trumpet players through the unique physical attributes of their players. This leads to truly fantastic and truly terrible players.

I hope that clears things up…

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Save your Chops!! – A Guide to Protecting your Money Muscle

by Matt on January 18, 2008

Now I am aware that in using the phrase “Money Muscle” that I might have inadvertently attracted a few new people looking at my blog for all the wrong reasons. Sorry, but you might want to look somewhere else.

I know for a fact that my friends Paul and Ash who run a professional horn section called The Enormous Horns have had similar issues with people who look at their website.

However if you are a brass player READ ON.

At college I over played to an extreme and payed the price for it. By overplaying it left my muscles weak and damaged. Thankfully I realized what I was doing before I was left with any permanent damage.

So here are a few pointers for those who want to be able to play in 5 years time and advance as a brass player:

1) If it hurts to play STOP, you’ve already gone way past the point that you should have called it a day.

2) If it’s a rehearsal, that’s exactly what it is. Give them the best that you can but don’t give it more than you have. Stopping BEFORE the point of damage and exhaustion will build up your stamina.

You won’t see sportsman run themselves into the ground in training!! So why should you?!

3) If you are rehearsing before a gig, leave more than enough in the tank. Better chill in the rehearsal and be killer on the gig than the other way around.

Playing High

1) If someone’s screaming at you “loader, higher, louder, higher!”- Don’t rise to it if you don’t feel you can. It’s easy for them to do that but you only have one set of chops. It takes more courage to put your instrument down and not play than to attempt to carry on and wish you hadn’t.

2) There are no short cuts. We all know that playing high is the action the tires you out the fastest. Pressure (or “screwing on”) is not the solution when you’re feeling tired!! Simply take a break or take it down until you recover or even until the end of the rehearsal/ gig. There are times when it just doesn’t matter about putting a few phrases up, it’s just decoration.

3) If you are in a situation where you CANNOT stop or take it down then you are not ready to be in that position. If you look at Allen Vizzuti, Derick Watkins, Wynton and any other top player, do they look phased or that they’re piling on pressure and stress to reach notes? Does it sound like it?

Don’t be disheartened! If you’re serious about what you do you’ll get the guidance you need, do the research and the practice to strengthen your technique so you can play the way you want. But pressure and non stop playing with poor technique will destroy your chops forever. I’ve seen it happen.

It’s important that you respect your body enough to know it’s limits. If you’re not happy about those limits then do as I’ve suggested and increase them through guidance, knowledge and practicing the right things.

It appears as though I’m advocating musicians to randomly stop playing in gigs and rehearsals. This is not the case. Fatigue will set in towards the end of a session (this is where my advice should be used) and if it sets in earlier then you need to look at yourself and find out why this is.

My advice is to be selfish. A band can live without a top F at the end of Foggy Day or double G’s in last bars of Feeling Good. The big picture is that it doesn’t matter. What does is you and your chops!!

The reason I’ve written this is because I’ve made a lot of these mistakes. So that you don’t have to!!!

I hope you find it useful.

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Kelly Elliott

by Matt on January 17, 2008

If you haven’t heard Kelly then you’re in for a treat!!

Kelly is the latest up and coming female vocal artist in Britain. She has a new album out which is available to download on iTunes. It has reviews in the Music Unions magazine is featured artist on the PRS podcast and has regular plays on thejazz (DAB digital radio).

I first met Kelly in a Big Band that I play lead in a couple of years ago where she sang a few charts like Black Coffee and Orange Coloured Sky. She said she did it for a bit of a laugh as it was a change from her normal stuff but she made a good job of it.

When I got to know her a little more I found out that her album had just hit the No.1 download at Indie Records and things where starting to happen for her. All her charts are her own original works and completely unique despite having a distinct folk/blues influence.

Check out Kelly’s Webpage to hear samples of her music, see a live video and to find more about her and where you can see her next gig.

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Upstartblogger.com - CHECK IT OUT!!!

by Matt on January 16, 2008

If you are just starting out as a blogger, not getting an audience for what you have to say or just stuck in a posting rut then this is a great site for you.

Upstartblogger.com has some great advice on how to become a successful blogger and the upstart community is so big that you’ll be able to interact with like-minded people on subjects you are all interested in.

It has recently changed hands to my good friend and fellow professional musician Ashley Morgan. So this site should be especially interesting to musicians as well as bloggers. Let me know what you think.

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Site Update

by Matt on January 13, 2008

When I return on Wednesday I’ve got a big update to do on the site and I have loads to write about.

Stories from Eurobusk, Project developments and more. Including a new addition to the site!!

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Bye Bye Bach

by Matt on January 12, 2008

Before Christmas I dug out my Monette mouthpiece I used to play on before the conversion the Conservatoire forced on me.

The difference is massive and I’m finding it so much easier to play on.

It’s a B4S that monette made especially for me. This was because when I moved from my Callet to Calicchio the shank on the mouth piece meant it wouldn’t fit in the lead pipe properly. Monette made me the same mouthpiece without the shank.

Top Guys!!!!

Easier to slot, playing long, higher, stronger. Why did I ever leave it :) !!!

Long Live Monette!!!!

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Upper Range Expansion

by Matt on January 11, 2008

(Most likely todays Blog will only be of interest to Brass and Trumpet players)

I have a lot to say about this topic. However this is just a mention of the stuff I’m currently using in my everyday practice. Here’s a breakdown of my routine at the moment:

Technique Building (lip slurs, tonguing an finger exercises)
Studies (Looking over The Arban, Bitsch etc - practical outlet of My Tech. Build)
Jazz Theory - I now have time to work on patterns and their application. (Scales, modes and Patterns)
Upper Register - This needs to be done everyday but NOT OVER DONE!! Damaging your Lip will mess up your practice routine!

I’m currently playing Arp’s and a few exercises from Jerome Callet Super Chops. (Again, more scales). I’ve found improvement comes after controlling every note in these exercises, remaining completely relaxed (with no though of screwing on) and holding the upper notes before coming back down.

I’ll keep an update of how this is going for any trumpet/brass players who might be interested.

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The Return of an Old Project (and Losing Bad Habits)

by Matt on January 10, 2008

I’m currently in Liverpool and attemptin to restart an old project with a few musicians here.

It’s refrehing to get some time to play and more importantyly not to play. Since I left college Im on the up. I think this is due to the fact that I’m well rested and not destroying my chops on a weekly basis. For example; in my second year I had a day where I would play for the Jazz course Big Band in the Morning (2hrs), Wind Band in the afternoon (2:00 hrs) and then play lead in the BMus Big Band (2hrs. After which I would jump on a train to a Big Band outside of college (2hrs).

I would be destroyed at the end of it. And because I was an idiot I’d be in the practice room at the next day at 8 o’clock getting frustrated about bad chops!

Being able to rest is helping a massive amount. I was quite happily popping out F’s and F sharps at a big band rehearsal the other night and I had a nice string of well controlled double G’s. So I’m well on track to get my double A’s back.

Good Times.

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Good News

by Matt on January 9, 2008

This is for 2 reasons.

First, I’m back!! and regular blogs are back to.

Second, I’ve had some great news on the teaching front.

Not only has my top pupil got into the the NCO (National Childrens Orchestra) for the second year in the row - getting 1 of only 6 places auditioned for in the whole country. But also that another pupil of mine achieved 140/150 in his grade 4 ABRSM exam.

Horray for blogging!!!

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